Printmaking 101
Thursday, August 19th, 2010
A print can be made in either two ways. One basic process is by adding a design in ink, oil or acrylic paint to a plate, screen or paper and then transferring it with pressure on to your final paper. This can also be called a monotype or silkscreen.
The other basic way is by extracting the image from a metal plate or stone by etching or engraving the image onto the surface with fine printmaking tools. Once the image is created ink, oil or acrylic paint is added and then transferred onto a damp cloth or paper, creating your print. This type of printmaking is also be referred to as an intaglio, aquatint and dry point just to name a few.
In order to get to the final printing stage there are many important prepping and rigorous steps to follow in order to create a perfect screen, plate or stone to duplicate from. Treating the stone, plate or canvase and screen with insolvable chemicals, oils and emulsions takes much patience, skill and experience.
As with all art—practice, experimentation, imagination and natural skill allows for experts in their field of printmaking. A print maker has to think in the revers. Almost everything is backwards when it comes to printmaking. The negative space, or the background, is as important as the actual image itself.
















